Mayakovsky here is a creative history. Analysis of the poem “Nate” (Mayakovsky V.V.). You might be interested

It would seem that Mayakovsky’s poem “Nate” is only four stanzas, nineteen lines of text, but from them one can make a full analysis of the work of art. Let's find out how to do this according to all the rules.

Looking back

Today, when the works of Vladimir Vladimirovich are rightfully considered classics and are included in the school curriculum, we have the right to analyze his texts not only as literary critics, but also as psychologists.

In 1913, when the poem “Nate” was written, Mayakovsky was only celebrating his twentieth birthday. His soul, like that of any talented young man, requires action, a revaluation of values by society, and strives to give everyone what they deserve, at least in poetry. The poet calls himself violent, wild, which in reality should be considered not so much as physical aggression, but rather verbal, directed against injustice. It is thanks to these qualities that the poet will be appreciated by the new government - not ideal, but new, and therefore glorified by Mayakovsky.

The emptiness of the aristocracy

The poet is convinced that creativity is perceived by a layer of pseudo-aristocracy as a food product. They do not want to perceive the deeper meaning and have one intention - to entertain themselves by listening to rhyming phrases. The author decides to speak directly, without hints, and does so throughout all the years of work, this can be seen from the analysis of Mayakovsky’s poem “Nate”.

In the future, he will call himself a “proletarian poet” and will glorify the development of technology and the movement of society towards a bright future, while at the same time fighting with those whose consciousness remained in imperial Russia. Already in his early work this struggle takes on a pronounced character.

Words and syllable

Mayakovsky's poems are a cry, these are words spoken into a megaphone. He speaks as if he were hammering nails: it is not for nothing that entire stanzas of his works are made up of one-word lines, tabulated for the purpose of the reader’s perception of rhythm and meter.

Mention in your analysis of Mayakovsky’s poem “Nate” and the choice of words: “shells of things”, “rude Hun”, “flabby fat”. Is this vocabulary typical for a poet? Why do you think he chose these words and not any others?

Pay attention to the phonetic component and rhymes. Mayakovsky often resorts to alliteration - the repetition of the same sets of consonants in different words. Moreover, the poet’s manner of rhyming can be formalized into a separate method invented by him. The entire stanza, in his opinion, should look unified, and the words in it should all be interconnected not only by meaning, but also by phonetics.

Literary devices

Epithets and metaphors, exaggerations and understatements, aggressive sarcasm that takes the form of accusation are characteristic of the author’s work as a whole. An analysis of Mayakovsky’s poem “Nate” provides examples of an uncompromising attitude towards the listener: “your flabby fat...”, “you... perch up, dirty...”, “I’ll spit in your face...”.

The purpose of such an appeal is not to offend, but to give thought, to tear a person out of the cozy world of consuming the aesthetics of creativity and to show the true meaning of poetry: to raise problems in order to then solve them; focus public attention on sore spots, thus stepping on an old non-healing callus.

Defense of the Poet

At the turn of the 19th and 20th centuries, the role of the poet acquired an entertaining character. If during the time of Pushkin, whose work Mayakovsky loved and appreciated, the poet occupied a somewhat privileged position in the public consciousness, then on the eve of the revolution he became an instrument of entertainment for the tavern public. The poet decides to abandon attempts to revive the prestige of his profession “from a third person” and directly declares injustice to the people listening to him. You should mention this in your work on the analysis of Mayakovsky’s poem “Nate”.

Consequences

It is also worth studying a fragment of the poet’s biography. How was the poem under study perceived by society? How did the authorities react, and was there any reaction at all? Did the work contribute to the promotion of Mayakovsky’s work to the masses and why?

Teachers love it when students go beyond the required and recommended literature by turning to additional sources. Therefore, it will not be amiss to show interest when performing an analysis of Mayakovsky’s “Nate”, and the teacher will note this by raising the grade or turning a blind eye to minor shortcomings. Intention is commendable in itself, especially if students are usually not enthusiastic in class.

Conclusion

No matter how radical the approach of the proletarian poet to convincing the masses and promoting his point of view on resonant issues, the fact remains: his work had a noticeable influence on the formation of both the image of the new government and the futurist direction in literature. The poem “Nate” by Mayakovsky is one of the first signs of becoming an important figure in Russian culture, and every student should read his works (at least the most famous ones).

The poem "Here!" was written in 1913. In this work, the lyrical hero is completely alone. He is forced to be surrounded by “fat” ordinary people who do not care about poetry. This is one of the poet's most sarcastic works.

First stanza: contrast between people and the lyrical hero

Analysis of the poem “Here!” Mayakovsky shows that one of the main artistic techniques used by Mayakovsky in his work “Here!” - this is the antithesis. Even the catchy title of the poem speaks about his character. The lyrical hero in Mayakovsky's early works almost always contrasts himself with the world around him. He tries to look at reality from the outside, and everything that this look evokes in him is horror. The lyrical hero is a romantic, and the flabby world is opposed to him. This is emphasized through the use of pronouns “I” - “we”, which are contrasted quite contrastingly in the structure of the work.

Features of the second stanza: unusual comparisons

Carrying out further analysis of the poem “Here!” Mayakovsky, a schoolboy can talk about the content of the next stanza. It is different in that it describes not only the deafness of the listeners to what the poet said. People are starting to change their appearance. For example, because of his sloppy behavior, a man becomes like a pig, a woman - like an oyster. Here you can see that behind these words, which at first glance seem like ordinary insults, is the poet’s desire to point out the limitations of ordinary people. After all, the oyster always sits in its shell, and it cannot see what is happening outside its little world.

The whitewash that thickly covers the heroine's face evokes an association with a doll. The woman does not hear what the lyrical hero is telling her. She looks like a doll with a beautiful appearance and a completely empty inner world.

Third stanza: confrontation between people and the lyrical hero

Further analysis of the poem “Here!” Mayakovsky shows that here this opposition reaches its culmination. The irregular form used by Mayakovsky in the expression “butterfly of the poet’s heart” is intended to emphasize the vulnerability of poetry before the judgment of the crowd. Having become brutal, she threatens to trample the lyrical hero. To describe the crowd, Mayakovsky uses the epithet “dirty.” The very image of a crowd of people is created by the poet with the help of just one detail - galoshes. With the help of this characteristic, the poet creates a rather down-to-earth image.

Antithesis in the work

The city itself also opposes the lyrical hero, which is emphasized with the help of the antonyms “clean” - “dirty”. This fact can also be indicated when analyzing the poem “Here!” Mayakovsky. The lane is beautiful in the morning because it is clean. But gradually passers-by crawl out of their houses and begin to dirty it. Mayakovsky writes: “Your flabby fat will flow out over a person.” At this point the poet uses the shocking method. This can also be indicated by conducting a brief analysis of the poem “Here!” Mayakovsky according to plan. He wants to anger his reader, to shock him. At the same time, the poet wants to make us think about real values, which cannot be replaced by external beauty.

Mayakovsky is irritated by well-fed and complacent people who are dressed up and painted. Indeed, under this decent appearance, as if behind a mask, hide vile and evil souls. Their internal state, unfortunately, cannot be replaced by their appearance.

Each resident of the city lives and goes his own way. He doesn’t care what the lyrical hero of the work thinks and feels. He finds himself deprived of the attention of other people. Perhaps this is why Mayakovsky’s lyrical hero would like to hurt the residents of the city as painfully as possible.

Fourth stanza: conflict resolution

Conducting a brief analysis of the poem “Here!” V.V. Mayakovsky, the student can indicate: this part has five lines, not four, as in the previous ones. The poet writes that if he wants, he will “spit in the face” of the crowd. And perhaps this is the only way to resolve the conflict existing between the poet and the crowd. The lyrical hero feels completely misunderstood and lonely.

In his work, Mayakovsky talks about those values that belong to a higher order. This is the spiritual side of human life, happiness and sorrow. First of all, poetry is called upon to bring these values to life. Almost the entire arsenal of sublime artistic means turns out to be dedicated specifically to her (“poems of boxes”, “butterfly of a poet’s heart”).

Analysis of the poem “Here!” V. V. Mayakovsky: poet and crowd

Often critics believed that Mayakovsky's early work was too selfish. But the important point is that Vladimir Vladimirovich opposed society not to himself as an individual, but to the type of poetic personality - any human being who is gifted philosophically. At the beginning of his work, the poet peers at the faces of passers-by, but then they all merge into one. When Mayakovsky speaks of a crowd that will “go wild” and of a “hundred-headed louse,” the reader may feel a reference to a certain literary tradition.

What can await someone who opposes himself to society?

Analysis of the poem “Here!” Vladimir Mayakovsky is one of the best examples of the poet’s sarcastic creativity. However, such irony does not always lead to good things. A thoughtful reader may involuntarily recall the main character of the work “Crime and Punishment” by F. M. Dostoevsky, Raskolnikov. He divided all of humanity into two types: “trembling creatures” and more worthy ones - “those with the right.” For those who belong to the first category, life is destined for a miserable existence in the midst of everyday problems and endless bustle. And for others the sea is knee-deep - there are absolutely no laws for them. And the reader knows from Dostoevsky’s work what such tendencies can lead to. But the position of “master of life” turns out to be too tempting for many.

In this respect, the poet becomes similar to Raskolnikov. He despises people as a pathetic crowd; they seem to him evil and completely insignificant. On the other hand, the poet turns out to be very easily wounded - after all, his heart is comparable to a butterfly. In many of Mayakovsky's works, the lyrical hero has the courage to challenge the crowd. However, in this poem he is overcome by a feeling of a different kind - and it is rather horror.

An hour from here to a clean alley
your flabby fat will flow out over the person,
and I opened so many boxes of poems for you,
I am a spendthrift and spender of priceless words.

Here you are, man, you have cabbage in your mustache
Somewhere, half-eaten, half-eaten cabbage soup;
Here you are, woman, you have thick white paint on you,
you are looking at things as an oyster.

All of you on the butterfly of the poet's heart
perch up, dirty, in galoshes and without galoshes.
The crowd will go wild, they will rub,
the hundred-headed louse will bristle its legs.

And if today I, a rude Hun,
I don’t want to grimace in front of you - so
I will laugh and spit joyfully,
I'll spit in your face
I am a spender and spendthrift of priceless words.

Analysis of the poem “Here!” Mayakovsky

The appearance of Mayakovsky in Russian poetic society can be compared to the effect of a bomb exploding. At the beginning of the 20th century, many poets used non-standard images and techniques in their work. But it was Mayakovsky who acquired the most scandalous fame. In 1913, he wrote the poem “Here!”, which became his programmatic statement to the public.

At this time, public performances by poets were very popular. This provided a way to earn money and gain fame for those who did not have the opportunity to publish their works. The performances of beginning authors sometimes took on the character of a humiliated request for a handout from a bored society. This developed false conceit among rich listeners; they began to consider themselves true experts and connoisseurs of art.

Mayakovsky's contempt for bourgeois society is well known. It was further intensified by the poet’s forced participation in such public readings. The poem "Here!" became a sharp protest of the author, directed against those who perceived his work as just another entertainment. One can imagine the reaction of a person who came to see Mayakovsky perform this poem for the first time.

The aggressive style and content of the work should immediately evoke a negative reaction in the listener. Mayakovsky declares that his poetic gift is being wasted in front of “flabby fat.” The author snatches from the crowd characteristic male and female images that personify all the abominations of society. The man has “cabbage in his mustache,” and the woman is not even visible due to makeup and the abundance of objects that belong to her. Nevertheless, these “subhumans” are respected and revered members of human society.

The main way Mayakovsky describes the crowd is the “hundred-headed louse.” Thanks to money, the human mass claims its rights to the personality of the poet. She believes that, having bought his time, she has the power to dispose of his talent as she wishes.

Mayakovsky goes against the rules of decent society. He, like a “rude Hun,” commits an individual rebellion. Instead of decent admiration and antics of the poet, spittle flies into the face of the crowd. All the hatred accumulated by the author is concentrated in this spit.

The poem "Here!" - one of the most powerful works of protest in Russian poetry. No one before Mayakovsky had expressed such open contempt for his own listeners. In it one can see the embryo of modern ultra-radical art.

Note: This verse is also called "Hate!", which means "hatred" in English.

As a futurist and modernist, Vladimir Mayakovsky sought not only to challenge his fellow writers, but also to provoke the modern public. His manner of writing and reading poetry aroused surprise among the intelligentsia, which grew into indignation. Actually, the most famous poem of the early period of Mayakovsky’s work, “Here!” is addressed to such intelligentsia.

The title itself, consisting of a colloquial expression that was unacceptable for poetry of the early twentieth century, sets the tone for the future poem. It also represents the speech of the lyrical hero, in whom the reader easily recognizes the poet - “I opened so many boxes of poems for you.” The hero delivers this speech at one of the poetry evenings, addressing the audience in a very ironic manner.

"Fluffy Fat", a man with cabbage in his mustache, a woman compared to an oyster; dirty, “hundred-headed louse” - this is all about the audience who attended the poetry evening. The hero opposes himself to the public - the immortal Pushkin antithesis “poet - crowd” is obtained. The poet in this case is a “rude Hun,” but the crowd is by no means likened, as one might expect, to the graceful inhabitants of Rome, whose culture the Hun, in theory, destroys. On the contrary, the deliberate rudeness and naturalness of the poet is contrasted with the tightness, unnaturalness and absolute down-to-earthness of those on whom he spends his poems.

And he is a “spender and spendthrift” because he allows himself to divulge priceless words to those who obviously do not understand them. Such a crowd is a louse on the poet’s heart, denigrating his poems with their inability to understand, appreciate and love them due to their distance from everything lofty that is bestowed on the poet. It is not surprising that the reading of this poem at a real literary evening caused a scandal and indignation of the public, who understood the poem, but, for obvious reasons, did not appreciate it.

Analysis of the poem by V.V. Mayakovsky "Here!"

The poem “Here!”, written in 1913, is one of the poet’s early works. This is one of the classic examples of Mayakovsky's early satire. Main subject early lyrics in general and this poem in particular - rejection of existing reality. Here the poet mercilessly and furiously criticizes the existing world order, creating vivid satirical images of well-fed, complacent, indifferent people. At the center of the poem is traditional conflict poet and crowd. The public, the crowd, takes the poet for a slave, ready to fulfill its every desire. But he rebels against her, proclaiming his main goal - service to art. The first stanza depicts the environment of the lyrical hero. The poet depicts people in the form of “flabby fat” (a symbol of satiety that has turned into complacency and stupidity). The hero opposes himself to this society, because his distinctive feature is spiritual generosity, he is “a spendthrift and a spendthrift of priceless words.”

In the second stanza, the gap between the poet and the crowd widens: the poet depicts people completely immersed in everyday life and destroyed, morally killed by them:

You are looking at things as an oyster from the shell.

The third stanza, like the first, is built on the contrast between the fragile, tremulous “butterfly of the poet’s heart” and the vile “hundred-headed louse,” personifying the crowd of ordinary people. The shocking, cynical and rude behavior of the hero in the final stanza is caused, on the one hand, by the fact that the creator must be strong, be able to defend himself, and not allow offense. And on the other hand, the desire to attract attention and be heard.

Analysis of V. Mayakovsky's poem "Nate"

Rejection of existing reality is the main motive of Vladimir Mayakovsky’s early lyrics. The poet declares himself a herald of new truths and faces the alienation of the people around him. The world around the lyrical hero Mayakovsky is inhuman, cruel and spiritually wretched. A moral person, noble in soul, is infinitely lonely in such a society. However, he does not so much despair and alienate his surroundings as try to fight them. The poet mercilessly and furiously criticizes the existing world order, creating vivid satirical images of well-fed, complacent, indifferent people. One of the classic examples of early satire by Vladimir Mayakovsky is the poem “Here!” The title of the work already hurts the ear; it expresses the indignation of the creator, whom the spoiled public takes for a slave, ready to fulfill its every desire. No, the hero of the poem - the poet - will serve art, and not this crowd that is wasting its life. The creator's monologue is very emotional, every word in it castigates the audience, consisting of vulgar inhabitants:

I am a spendthrift and spender of priceless words.

The first stanza of the work presents us with the environment of the lyrical hero in general. The poet depicts people as one solid fat, and also “flabby” (epithet). This metaphor indicates precisely their excessive satiety, which turned into complacency and stupidity. The poet opposes himself to this entire society, because the essence of the creator is not hoarding, but spiritual generosity. The hero calls his words “priceless” (an epithet) not out of vanity. It’s just that art and poetry are the most precious things he has. Poems are the “gems” of the poet’s heart, and, apparently, that’s why they are stored in “boxes.” The hero does not hide these “jewels”; he is ready to reveal the secrets of his soul to everyone. But the trouble is that his poetry is not needed by society, just like culture in general. With disgust, the hero describes the representatives of this world:

Somewhere, half-eaten, half-eaten cabbage soup;

The poet insults these people for a reason. He wants to be heard, tries to stir up the philistine “swamp”, to awaken the souls of these people, swollen with fat. What I like most about the second stanza is the “shell of things” metaphor. In my opinion, it very accurately reflects the complete immersion of a person in a life that kills the individual, turning people into some kind of “molluscs”, devoid of internal form and meekly accepting any guise, even the most terrible. Looking around this vile society with his prophetic gaze, the poet understands one thing: a lot of suffering awaits him ahead:

Perch up, dirty, in galoshes and without
galosh,

I will laugh and spit joyfully,
I'll spit in your face
I am a spender and spendthrift of priceless words.

The shocking act of the lyrical hero is again caused by the desire to attract attention and be heard at all costs. This is how Mayakovsky bursts into the poetry of the twentieth century as a “rude Hun” to show the world of the well-fed, the wrong side of real life. The imperfection of the world order, the sharp discrepancy between dreams and reality, the depressing lack of spirituality and vulgarity gave rise to an angry protest in the poet’s soul. And he had one weapon - the word. Mayakovsky's poems will always be modern. They are focused on the future because they encourage a person to improve. The poet unobtrusively educates us. Thus, in the satirical work “Nate” he states: spiritual death is much more terrible than physical death. We must remember this and be vigilant.

Analysis of Mayakovsky's poem "Here!"

The central compositional device in the poem “Here!” - antithesis. The catchy name itself eloquently testifies to this. The early lyrical hero of V. Mayakovsky romantically opposes himself to all of humanity.

He tries to look at the world from the outside. And this sight terrifies him. The confrontation between the romantically inspired lyrical hero and the flabby world is also emphasized by the pronouns “I” - “you”, contrastingly opposed in the structure of the poem.

The city itself contrasts with the artistically reduced image of the crowd. This opposition is emphasized by the antithesis “clean” - “dirty”. The empty alley in the morning is clean and beautiful. And so, gradually crawling out of their houses, the inhabitants begin to dirty it:

Your flabby fat will flow out over the person.

V. Mayakovsky uses the shocking technique in this work. It’s as if he wants to anger, shock his reader and at the same time make him think about timeless and eternal values, which, alas, are replaced by the desire for external beauty.

The poet is irritated by this society of well-fed and self-satisfied, bourgeois townspeople, dressed up and made up, and under this decent guise disguised the most vile and evil souls, the preservation of whose purity, alas, is replaced by society with the desire for external beauty.

Everyone in the city lives their own hectic daily life. He doesn’t even care about our lyrical hero. He is undoubtedly offended and deprived of attention. Maybe that’s why he so wants to inject more painfully, to hurt the townsfolk.

What does V. Mayakovsky proclaim as a value of the highest order? This is the spiritual life of a person, his joys and sufferings. Above all, poetry can embody them. In the work, almost all sublime visual and expressive means (“poems of boxes”, “priceless words”, “butterfly of a poet’s heart”) are dedicated to her.

Early Mayakovsky is often reproached by critics for selfishness. However, it is important that he seeks to contrast the world not with himself (as a specific person), but with the type of poetic soul, a philosophically gifted being. The poet peers at those around him, first tries to consider people one by one, then all types and faces merge.

This poem feels playful in its reference to a certain tradition:

I can’t help but remember the novel by F.M. Dostoevsky's "Crime and Punishment", in which the main character Rodion Raskolnikov divides people into "trembling creatures" and "those with the right." For some, only a miserable existence is destined among small and ordinary problems, endless vanity and hopeless poverty. For others, laws are not written. By the right of the strong and gifted, they are allowed to decide other people's destinies. The reader knows what such theories lead to on the pages of F.M.’s novel. Dostoevsky. However, the pose of the master of life is still tempting for many.

In this case, the lyrical hero of V. Mayakovsky is in many ways likened to Raskolnikov, despising people as a crowd of pitiful, insignificant, evil little men, he strives to rise above the world of ordinary beings, to emphasize his originality and exclusivity. At the same time, the lyrical hero is easily wounded. His heart is like a large butterfly.

In many of Mayakovsky’s poems, where the lyrical hero also challenges the world, he doesn’t really care about others. But in this work the poet is seized with genuine horror in front of the brutal crowd.

“Nate” V. Mayakovsky Analysis 4

The verse "Here!" Vladimir Mayakovsky

An hour from here to a clean alley
your flabby fat will flow out over the person,
and I opened so many boxes of poems for you,
I am a spendthrift and spender of priceless words.

Somewhere, half-eaten, half-eaten cabbage soup;
Here you are, woman, you have thick white paint on you,
you are looking at things as an oyster.

perch up, dirty, in galoshes and without galoshes.
The crowd will go wild, they will rub,
the hundred-headed louse will bristle its legs.

I don’t want to grimace in front of you - so
I will laugh and spit joyfully,
I'll spit in your face
I am a spender and spendthrift of priceless words.

Analysis of Mayakovsky's poem "Nate"

The literary world at the turn of the 19th and 20th centuries was undergoing significant changes; many different movements and directions appeared that did not fit into the generally accepted canons. But even in this chaos and confusion, from which only several decades later the real diamonds of Russian poetry would crystallize, the figure of Vladimir Mayakovsky initially plays a very shocking role. Syllable, sense of rhythm, construction of phrases - these distinctive features make it possible to unmistakably recognize the poet’s works in a sea of literary experiments. Moreover, each rhymed line of Mayakovsky carries a certain semantic load, which is sometimes expressed in a rather rude and shocking form.

The poem “Here!”, created in 1913, belongs to the early period of the poet’s work, whose social worldview was just beginning to form. This stage of Mayakovsky’s poetic experiments can rightfully be called rebellious, since form is of secondary importance for him, but the author pays special attention to content. His favorite technique is opposition, which the poet masterfully masters, which allows him to create vivid and multifaceted literary images. “Here!” - this is a kind of challenge to bourgeois society, for which poetry is still an amorphous art designed to delight the ear. Therefore, the author, who has to earn his living by publicly reading his own poems, is very outraged by such a consumerist attitude towards literature. His poem "Here!" it is precisely dedicated to all those who see not the essence of poetry, but only its shell. an empty wrapper into which you can put any delicacy, the taste of which ordinary people will never be able to taste.

Already from the first lines of his work, Vladimir Mayakovsky addresses the crowd, trying to provoke it, hurt it more painfully and stir it up. His goal is simple and clear - to force people who consider themselves to be among the caste of true connoisseurs of art to look at themselves from the outside. As a result, a very ironic and caricatured picture emerges, which makes even those who recognize themselves in the image of a man with “cabbage in his mustache” or a woman looking “like an oyster from the shell of things” to smile.

Such deliberate rudeness is not only a desire to express contempt for those for whom attending literary readings is a tribute to fashion. In this simple way, young Mayakovsky, among other things, wants to draw attention to his creativity, which is extraordinary, devoid of romance and sentimentality, but has undoubted charm and appeal. Shocking antics for the poet are quite common, but behind the feigned indifference, causticity and satire hides a very vulnerable and sensual nature, which is not alien to sublime impulses and mental torment.

“Here!”, analysis of Mayakovsky’s poem

Poets are unusual people. Not like everyone else. They have a heightened perception of reality, a special, metaphorical language. Poetry is alien to the common man. Obviously, this is why the confrontation between the poet and the crowd in Russian literature has been known since the time of Alexander Sergeevich Pushkin. and in the world - since ancient Greek times. In 1828, in a difficult time of uncertainty and loneliness, Pushkin wrote the poem “The Poet and the Crowd.” His hero, who has no mutual understanding with the “stupid rabble,” prefers creative solitude.

This is not the hero of the 20th century poet Vladimir Mayakovsky. Like the futurists themselves, like Vladimir Mayakovsky himself, the hero of early lyrics challenges the crowd. Even the titles of these works contain a call akin to an order: “Listen!” “Here!”, “You!” .

In a poem “Here!”(1913) the poet is not “heaven’s chosen one,” but "rude Hun". A collective crowd image disgusting:

The crowd will go wild, they will rub,
the hundred-headed louse will bristle its legs.

Already from the first lines, when the hero is sure that in an hour “your flabby fat will flow out drop by drop”. the accusatory pathos of this poem becomes obvious. Moreover, the poet himself had to give it up denunciation in the face of the decent bourgeois public who had gathered for the opening of the Pink Lantern cabaret, and Mayakovsky was invited as a guest.

The poem "Here!" contrasts not just the poet and the crowd. At the beginning of the twentieth century, on the eve of the First World War, life in Russia was not of a high standard. Therefore, people who received large incomes came to cafes, restaurants, cabarets: speculators, traders, tradesmen. Such representatives of society sometimes profited from the misfortune of others, while becoming rich themselves, and spent it on food and entertainment.

For the hero, this material world is associated with satiety and, as a result, with complacency and stupidity. The hero's world is represented by other values: his wealth - “so many poetry boxes”. and he himself - “priceless words: spendthrift and spender”. Of course, he calls himself that because he is ready to open his soul to anyone, so that precious words reach everyone’s heart, but he just doesn’t see worthy listeners. This is either a man who has “there’s cabbage in my mustache somewhere, half-eaten cabbage soup”. or a woman who "thick whitewash". and she "looks like an oyster from the shell of things" .

While they are harmless: after all, the one who sits in his "the sink of things". can spend his whole life there without causing any harm to anyone. Whether such a person exists or not is not interesting. Even in the fairy tale “The Wise Minnow” by M.E. Saltykov-Shchedrin, this type of average person who “lived and trembled and died and trembled” was ridiculed.

But Mayakovsky understood that sooner or later there would be more such people, and they would turn into a threatening force - into "hundred-headed louse". which “legs bristle” And “with galoshes and without galoshes” perched on "butterfly of the poet's heart". Such a metaphor, at first glance, is not comparable in style to the vocabulary of the entire poem: these are not rude words, these are not shocking statements, and finally, this is not a challenge. On the contrary, a butterfly is a fragile and defenseless creature that cannot be touched, even just touched, otherwise the butterfly will die.

After reading these lines, for a moment one becomes sincerely sorry for the hero doomed to such “fame.” But already in the next quatrain the former hero appears - self-confident, loud-voiced, despising everyone who is not on a par with him. Human nature, as Mayakovsky believed, is the unity of two principles: biological and spiritual. In bourgeois society, these principles are separated, so the spiritual is not only separated from the material - there is simply no place for it. Therefore, the author depicts everything material in a deliberately repulsive manner: "flabby fat". "half-eaten cabbage soup". "cabbage in mustache" .

In the last quatrain appears "rude Hun". who not only can afford not to grimace in front of the chewing crowd, but can even “laugh and spit in your face joyfully” those for whom art is just a reason to have fun. Composition closes in a ring by repeating words from the beginning of the poem:

I am a spender and spendthrift of priceless words.

Thus, the last word remains with the hero. This is all Mayakovsky. In his early poetry, according to critics, one can hear an emotional range - from passionate intensity to shy timidity, from confidential confession to angry diatribe. Lyrical hero becomes a kind of center of harmony, so he finds himself alone. Perhaps the challenge sounded in the poem “Here!” - this is not so much a desire to expose as a desire to attract attention, to be heard among millions of disconnected people, to find people like the hero himself. The uniqueness of the entire poem is given by Mayakovsky’s neologisms ( "poetically"), and his unusual metaphors ( "hundred-headed louse").

Listen to Mayakovsky's poem Nate

The poem was written in 1913. Read the poem “Here!” Mayakovsky Vladimir Vladimirovich can be found on the website. The work fully reflects the mindset of the Russian world of literature and art of the new 20th century. Various groups among artists, theater workers, and writers strive to declare a fresh word in art, trying and experimenting, looking for new creative ways of self-expression. Mayakovsky became one of the most striking figures of the era.

The author of a poem, unexpected in form, deliberately rude in content, in his address gives a slap in the face to society, which, in the own opinion of its representatives, has undeniable taste and reserves the right to judge and evaluate the poet. The author of poetic lines poses a daring challenge to gentlemen with “flabby fat”, in galoshes and without, to a lady with a face masked by thick whitewash, to everyone who considers themselves to be part of the world of bourgeois culture, arguing from the standpoint of established criteria of tearful sentimentality and obsequious beauty of poetic art, called just to be a delight for the ears. “Here! - a kind of verbal revolt of the poet, denouncing and protesting against the inertia of the small philistine world, compressed by the narrow framework of his own worldview. “The Rough Hun,” whose work is a fresh stream, a “clean lane” among the old, familiar poetic backyards. He is not afraid to enter a new century with new poetry, opening his box of priceless gifts of words. Just as he is not afraid to shock the public or be rejected. Because he is always ready to respond to the attacks of the “brutalized”, “bristle” crowd and challenge it.

The work can be taught in an online literature lesson in the classroom. The text of Mayakovsky's poem "Here!" can be downloaded in full on the website.

An hour from here to a clean alley

I am a spendthrift and spender of priceless words.

Here you are, man, you have cabbage in your mustache

All of you on the butterfly of the poet's heart

And if today I, a rude Hun,
I don’t want to grimace in front of you - so
I will laugh and spit joyfully,
I'll spit in your face
I am a spender and spendthrift of priceless words.

First stanza: contrast between people and the lyrical hero

Features of the second stanza: unusual comparisons

Third stanza: confrontation between people and the lyrical hero

Antithesis in the work

Fourth stanza: conflict resolution

Analysis of the poem “Here!” V. V. Mayakovsky: poet and crowd

What can await someone who opposes himself to society?

An hour from here to a clean alley
your flabby fat will flow out over the person,
and I opened so many boxes of poems for you,
I am a spendthrift and spender of priceless words.

Here you are, man, you have cabbage in your mustache
Somewhere, half-eaten, half-eaten cabbage soup;
Here you are, woman, you have thick white paint on you,
you are looking at things as an oyster.

All of you on the butterfly of the poet's heart
perch up, dirty, in galoshes and without galoshes.
The crowd will go wild, they will rub,
the hundred-headed louse will bristle its legs.

And if today I, a rude Hun,
I don’t want to grimace in front of you - so
I will laugh and spit joyfully,
I'll spit in your face
I am a spender and spendthrift of priceless words.

Analysis of the poem “Here!” Mayakovsky

Note: This verse is also called "Hate!", which means "hatred" in English.

Looking back

The emptiness of the aristocracy

Words and syllable

Literary devices

Defense of the Poet

Consequences

Conclusion

The poem “Nate” was written by Vladimir Mayakovsky in 1913.

In the years preceding the revolution in Russia, the entire edge of Mayakovsky’s satire was directed against “fat” and “insensitive” people to the poet’s words. The poet began to pave a creative path precisely with poems such as “Nate,” where the feeling of his own remoteness from the world with the vulgar thoughts and morals reigning in it was sung.

“Nata” presents the world of fattening ordinary people who look at things as “an oyster from the shells.” Mayakovsky, with his characteristic sarcasm, speaks about people's obsession with material things, about their lack of spirituality, narrow-mindedness and vulgarity.

The theme of the poem: the “unfeeling” crowd that does not hear the high call of poetry.

“...And I opened so many boxes of poems for you...”

The idea of the poem: Mayakovsky seeks to urge people to break away from their everyday life, to get out of the routine of everyday vanity, he challenges the crowd and calls on it to stop, look back and think, only the “crowd” still does not hear him, and he continues to mock him with bitterness in his heart .

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Mayakovsky mocks the philistines who do not understand the entire sublimity of spiritual values, finding themselves too squeezed by the framework of material wealth and everyday needs.

The poet is hostile to the crowd, and wants to awaken a volcano of indignation and anger, he needs a scandal, because only through strong, stormy, militant emotions is it possible to force a person to look at things differently, to see new facets and shades in life, to bring out his other quality. After all, Mayakovsky actually believes in man and believes in himself, that he will be able to awaken the Man with a capital M in a person.

And no matter how much he mocks the crowd, the poet feels alone in this hostile world, which he himself created around himself, and now seeks to remake: to force those who “don’t hear” to hear, those who don’t see to see, those who don’t feel to finally feel and to feel this life... His perception of life, the manifestation of aggression towards people is a way of survival, defense and attack.

In the poem V. Mayakovsky uses such artistic visual means as

sarcasm: “your flabby fat will leak out over a person”, “oysters from the shells of things”,

and epithets: “the crowd will go wild, they will rub each other.”

The poem “Nate” is a poem in which Mayakovsky reflected his futuristic inclinations, his rejection of the world of that time, and those who feel like masters in it.