Mikhail Poplavsky biography. Mikhail Poplavsky: biography, creativity, career, personal life. “A man is the one who has money and everything else. And the male has only “everything else”

A country

Ukraine

Professions Awards poplavskiy.com

Mikhail Mikhailovich Poplavsky(November 28, Mechislavka village, Ulyanovsk district, Kirovograd region) - rector of the Kiev National University of Culture and Arts (1993), Doctor of Pedagogical Sciences (), professor (), People's Artist of Ukraine (2008).

Biography

1971 - 1973 - director of the rural House of Culture in Velikie Troyan; brought him to first place in the region.

In June 2000, a joint project of the First National TV Channel UT-1 and the All-Ukrainian Foundation “Gifted Children of Ukraine” launched a children's television competition “Step to the Stars”, the author of the idea, director, and general producer of which is Mikhail Poplavsky.

2002 - Mikhail Poplavsky runs for people's deputies in the 101st constituency in the Kirovograd region, and for the Kiev City Council in the Pechersky district (52 electoral districts) and receives a double victory.

Creative activity

Poplavsky is known as a music producer and singer. As a music producer, Poplavsky is the author of the program “Step to the Stars” (“Krok do Zirok”), president of the Gifted Children of Ukraine Foundation, general producer of the All-Ukrainian children's television competition “Step to the Stars”, general producer of the television project “Our Song” (since 2003) , President of the International Public Organization “Union of Ukrainians of the World” (since 2004).

Poplavsky's singing skills have an ambiguous assessment among musicians and amateurs. On the one hand, Poplavsky is the character of numerous jokes and anecdotes. There is also evidence that Poplavsky organizes KNUKiI students specifically for some of his programs. On the other hand, Poplavsky’s work is quite popular; Poplavsky’s concerts are well equipped technically and feature rich choreography.

The artist himself does not consider himself a professional singer: “I’m not a singer, but a rector who sometimes sings.” .

In 2006, Poplavsky began a series of “farewell concerts” in different cities of Ukraine and announced his intention to end his singing career.

In August 2008, M. Poplavsky was awarded the title of People's Artist of Ukraine, the artist himself commented on the assignment: “I am a man of the people, so this is natural.”

Criticism

Political activity

  • - ran in elections to the Verkhovna Rada of Ukraine, electoral district No. 100 (Kirovograd region), but took 2nd place with 15.5% (of votes).
  • - - People's Deputy of Ukraine of the 4th convocation (electoral district No. 101, Kirovograd region, 48.44% of votes
  • * On June 12, 2002, he was elected to the position of Deputy Chairman of the Verkhovna Rada of Ukraine Committee on Culture and Spirituality. For years he was a member of the parliamentary factions “United Ukraine” and “Labor Ukraine”.
  • - becomes president of the international public organization “Union of Ukrainians of the World”.
  • In December, the city of KNUKiI, on the initiative of Poplavsky, joined the actions of civil disobedience.
  • In January, M. Poplavsky joined the ranks of the People's Agrarian Party (Litvina).
  • In the city he ran for the Verkhovna Rada of the 5th convocation on the list of the Third Force party, but did not get into the Verkhovna Rada.

Works

  1. 1993 Culture Manager
  2. 1996 Culture Manager (reissue)
  3. 1997 Rector
  4. 1997 ABC Public Relations
  5. 1999 Show business manager
  6. 2000 Human Resource Management
  7. 2000 Formula for success
  8. 2001 Show business: theory, history, practice
  9. 2003 Anthology of Ukrainian contemporary pop
  10. 2007 ABC of Public Relations
  11. 2007 20 principles of management
  12. 2007 How to become popular and rich
  13. 2007 Management Marketing
  14. 2007 Diary of a Genius
  15. 2008 To your table from Mikhail Poplavsky
  16. 2009 Rector (reissue)
  17. 2009 Leadership as a brand
  18. 2009 Image
  19. 2009 Taste
  20. 2009 Photo album
  21. 2009 Anthology of modern Ukrainian pop music (reissue)
  22. 2010 Hotel and restaurant service
  23. 2012 Hello native village
  24. 2012 Ukrainian cuisine from Mikhail Poplavsky

Clips

  1. “Blues of Erotic Thoughts” (Blues of Erotic Thoughts)
  2. “Vera plus Misha” (duet with Verka Serduchka)
  3. “My Dear Parents” (director Maxim Papernik, cameraman Alexey Stepanov)
  4. “Hello, native village” (director Maxim Papernik, cameraman Alexey Stepanov)
  5. “Nettle” (director Viktor Panfilov, cameraman Oleg Sagan)
  6. “Nettle-2”, remix by DJ Batt (director Maxim Papernik, cameraman Alexey Stepanov)
  7. “Mother’s Cherry” (director Maxim Papernik, cameraman Alexey Stepanov)
  8. “Call me” (Maxim Papernik, cameraman Alexey Stepanov)
  9. “Farewell” (director Maxim Papernik, cameraman Alexey Stepanov)
  10. “The snow is spinning” (director Maxim Papernik, cameraman Alexey Stepanov)
  11. "Ukraine"
  12. “Hava nagila” (director Vladimir Yakimenko, cameraman Alexey Stepanov)
  13. “Young Eagle” (cameraman V. Pilunsky)
  14. “Junior Eagle 2” (director Viktor Priduvalov, cameraman V. Shklyarevsky)
  15. “You are my sun” (director Maxim Papernik, cameraman A. Stepanov)
  16. “My Ukraine” (director Alan Badoev)
  17. “Love” (director Vladimir Yakimenko, cameraman Alexey Stepanov)
  18. “Scows full of mullet” (director Natalya Shevchuk)
  19. “You are my love” (director Vladimir Yakimenko, cameraman Alexey Stepanov)
  20. “In Memory of a Friend” (director Semyon Gorov, cameraman V. Shklyarevsky)
  21. “My Sin” animation on sand by K. Simonova
  22. “Bathhouse” (director S. Gorov, cameraman A. Stepanov)
  23. “My Varenichki” (director M. Papernik, cameraman V. Savitsky)
  24. “Batko” (director Semyon Gorov, cameraman V. Shklyarevsky)
  25. “Field, field” (director Semyon Gorov, cameraman V. Shklyarevsky)
  26. “Salo” (director M. Papernik, cameraman V. Savitsky)

Awards

  • Laureate of the national program “Person of the Year” (1997, nomination “Cultural and Arts Worker”)
  • Winner of the all-Ukrainian popularity rating “Golden Fortune” (1998).
  • Certificate of the Presidium of the Supreme Soviet of the Ukrainian SSR (1984).
  • Certificate of Honor from the Cabinet of Ministers of Ukraine (10.2004).
  • Order of Merit, II class. (12.2004).
  • Order of M. Grushevsky IV century. “For the development of Ukraine” (2000).
  • Gold medal “For merits in education” of the All-Ukrainian ranking “Sofia of Kiev” (2001).
  • The newspaper “Osvita” recognized M. Poplavsky as the “Best Saint of the Year 2000” in the nomination “Remember the Temple.”
  • In June 2000, a joint project of the First National TV Channel UT-1 and the All-Ukrainian Foundation “Gifted Children of Ukraine”, a television children's competition “Krok do Zirok”, was launched, the author of the idea, director, and general producer of which is Mikhail Poplavsky.
  • On December 9, 2000, Mikhail Poplavsky was awarded the “Hit to Rock” diploma as “Best producer of children's and youth music programs.”
  • December 28, 2000 M. Poplavsky is a nominee of the regional rating program “Leader of the Kirovograd Region - 2000” in the nomination “Countryman of the Kirovograd Region - 2000”.
  • The Kiev City State Administration and the creative agency “Teritory A” awarded M. Poplavsky “For his contribution to the development of modern Ukrainian song.”
  • The all-Ukrainian competition “Step to the Stars” was awarded the “Golden Pen” prize as the best television project for children and youth in 2000.
  • The annual creative event “City of Children” awarded M. Poplavsky the award “For the best children’s program on television for 2000.”
  • On June 8, 2001, the Kiev National University of Culture and Arts was recognized as the best educational institution in Ukraine, and its rector was awarded the gold medal “For Merit in Education” and the “Sofia of Kiev” statuette.

At the festival “Hit of the 20th Century” on December 10, 2001, Poplavsky was awarded a diploma for the song “Cherry trees are growing in my mother’s garden” (music by A. Gorchinsky lyrics by M. Lukov).

  • 2002 - for a high professional level and contribution to the development of education in Ukraine, creating the image of our state in the world, the Kiev National University of Culture and Arts received the Golden Art Olympus award in the category “Public Recognition” in the National Open Rating of Popularity and Quality.
  • 2007 - For significant personal contribution to the socio-economic and cultural development of the Ukrainian state, significant labor achievements, on August 23, President of Ukraine V. A. Yushchenko awarded M. M. Poplavsky the Order of Merit, 1st degree.

M. Poplavsky received the status of full holder of the Order of Merit (2000 r. 2001 r. 2007 r.)

  • August 23, 2008 - by decree of the President of Ukraine, M. Poplavsky was awarded the honorary title - People's Artist of Ukraine, as the general producer, chief director, author of the idea of ​​​​creating the All-Ukrainian children's television competition "Step to the Stars" ("Krok do Zirok").
  • On March 21, 2009, M. Poplavsky won the title “Person of the Year” in the nomination “Creator of the Year”, “Artist of the Year” (Mitec)

“The Singing Rector” is how he dubbed himself when he burst into Ukrainian showbiz, perhaps the most controversial project on the Ukrainian stage and often subjected to injections from KVN members, no one likes him... but everyone knows him...

Poplavsky Mikhail Mikhailovich (racial Ukrainian Poplavsky Mikhailo Mikhailovich, appeared to humanity on November 28, 1949 - died, are you kidding me? Batman is immortal) - the greatest Ukrainian singer with his mouth, a platinum voice from a titanium throat, a performer, a professor of all kinds of sciences, a businessman, a fat troll, a walking and talking pi==ets in Ukrainian culture. He concurrently holds the position of rector of the Kyiv National University of Culture and Arts; besides, he is not at all fat or short - like many prominent personalities, he simply has wide and short bones.

Among grateful fans of his work, he received many affectionate nicknames - MikhMikh, Float, Batman, Siskoplav (from a slightly modified surname), Junius Eagle (pronounced like a young eagle).

Particularly interesting and significant in terms of art are his compositions:
“Junius Eagle” is the first clip of the genius with which he marked his appearance to the people. The clip immediately caused delight and joy among the audience. The highlight of the video was the brilliant idea to dress Mikhail Poplavsky as Batman, in whose image he saves a decaying and bored society. Every connoisseur of quality music must have this composition in their collection.
“Hava Nagila”, translated into Ukrainian, masterfully performed by the not fat Poplavsky, which symbolizes. After listening to this composition, the listener has some doubts about the origin of the genius. But that doesn't mean something bad, does it?
“Kropiva” is a high-quality, professional trance flavored with the charismatic voice of Poplavsky. The clip shows us the joys of life of VIPs, glamorous kitties and other intelligentsia. Also, Poplavsky, as a businessman, began producing his own brand of vodka, which he actually called “Kropiva”. There are rumors that the vodka itself is infused with the same sprinkle. However, it is noteworthy that the colors of this vodka are like toxic waste in cartoons and cheap action films. IRL resembles the mutagen from the cartoon “Teenage Mutant Ninja Turtles”. The effect is probably the same.
"Salo". This brilliant song immediately attracted the attention of many conscious Ukrainians. The words of the song will not leave any true patriot indifferent. Think about these brilliant words: “I eat lard, I sleep on lard, because I love it. Now, if I covered myself with lard, then I would bathe like cheese in butter...” Well, you got it.
And many many others.

Born November 28 1949

1979

IN 1971 -1975

1985

1990

1993

1994

Born November 28 1949 year in the village of Mechislavka, Ulyanovsk district, Kirovograd region.

He graduated from Gorlovka Vocational School No. 25 with a degree in electric locomotive driver, and a cultural school in Alexandria. IN 1979 graduated from the Kiev State Institute of Culture.

IN 1971 -1975 years - director of the House of Culture in Bolshie Troyan, Ulyanovsk District House of Culture, Kirovograd region.

1985 year - defended his Ph.D. thesis.

1990 year - defended his doctoral dissertation at the Leningrad Academy of Culture.

1993 year - appointed rector of the Kyiv State Institute of Culture. Author of the analytical model of the university of the 21st century.

1994 year - removed from the post of rector of the Kyiv State Institute of Culture.

1995 year - returned to the post of rector of KGIK.

IN 1999 founded his own chain of restaurants.

2000 year - awarded the Order of Mikhail Grushevsky, IV degree, for the rise of Ukraine.

2002 year - elected as a people's deputy of Ukraine. He took the post of deputy head of the Verkhovna Rada of Ukraine Committee on Culture and Spirituality.

2004 year - Mykhailo Poplavsky was elected president of the international organization United Ukrainians of the World.

2005 year - on the initiative of M. Poplavsky, the opening of the Academy of Hairdressing and Decorative Cosmetics at the Kiev National University of Culture and Arts took place.

21 March 2009 M. Poplavsky won the title Man of the Year in the Artist of the Year category.

In November 2009 year, M. Poplavsky presents an anniversary publication - a seven-volume edition which includes: Rector, Pedigree of Mykhailo Poplavsky (author M. Tkach), Anthology of modern Ukrainian pop music, Leadership as a brand, Image, Relish, Photo album.

In January 2010 In 2009, a national television project, Ukrainian Song of the Year, was launched, the author of the idea and the general producer of which was M. Poplavsky.

Full Knight of the Order of Merit ( 2000 year 2001 year 2007 year).

August 23 2008 By decree of the President of Ukraine, M. Poplavsky was awarded the title - People's Artist of Ukraine, as the general producer, chief director, author of the idea of ​​​​creating the All-Ukrainian children's television competition Krok do Zirok.

Married. From this marriage there is a son, Alexander.

Mikhail Mikhailovich Poplavsky is a Ukrainian singer, rector of the Kyiv National University of Culture and Arts in 1993-2015, Doctor of Pedagogical Sciences, professor, People's Artist of Ukraine, People's Deputy of Ukraine of the 4th, 7th and 8th convocations.

Mikhail Mikhailovich was born on November 28, 1949, into a family of peasants in the village of Mechislavka, Kirovograd region.

Family

Mikhail’s wife is Lyudmila, with her they were raising their son Alexander, born in 1982.

Education

After graduating from school, he entered a pedagogical technical school, upon graduation he received the education of an “electric locomotive driver.” After serving in the army, he entered the cultural school in the Kirovograd region. Then he received his education at the Kiev National Institute of Culture and Arts, from which he graduated with honors. Six years later, Mikhail Mikhailovich defended his candidate’s dissertation, and after another five, his doctoral dissertation at the Leningrad Academy of Culture, and after that he became a Doctor of Science in management and economics of the sociocultural sphere.

Career and business

Now the rector of the university has a stable income and manages his finances freely. When Mikhail was still at school, he was already working part-time, it was on a collective farm, where he helped a combine operator. His next job was in the construction industry, as a mason during the construction of rural roads.

Having received his first education at the Gorlovka Pedagogical Institute, he went to work in his specialty - as a machinist at a mine in the Donetsk region. From working professions he moves into the cultural sphere of activity. So, for three years Poplavsky was the director of the rural House of Culture in Velikie Troyan. The management was beneficial due to the fact that during his management the cultural center took first place in various competitions and festivals, and also received a number of awards and letters of gratitude.

After that, he held a new position, now he is appointed deputy director of the People's House of Creativity of the Ukrainian SSR.

While defending his PhD, he worked at the Institute of Culture in various positions, ranging from a simple teacher to the dean of one of the faculties. He is popular and respected among students. People often came to him for advice.

The year 1993 becomes important in the career of Mikhail Mikhailovich Poplavsky; according to the Decree of the Minister of Culture of Ukraine, Mikhail Poplavsky is appointed rector of this Kyiv Institute of Culture.

Mikhail Poplavsky

A year after receiving the new title of rector, Mikhail Poplavsky becomes a professor and is recommended for the post of Minister of Culture of Ukraine.

But during this period of time, different groups of the population wanted to compete for this chair, which contributed to the fact that Mikhail Poplavsky was removed from the post of rector of the above-mentioned institute.

While fighting for his position as rector, Poplavsky had to go through three difficult trials, after which he still managed to return this illegally taken position. Moreover, the support of several hundred students played a big role in this. Student youth literally picketed the Supreme Council and the Cabinet of Ministers defending the rights of their rector.

Poplavsky, in the spirit of an experimenter, assembles his team and with his song “Young Eagle” and clothing style literally creates the image style of the university, which stuck with him for many years. This “trick” attracted both investments and a flow of students, so that new departments and faculties began to be opened at the university, and soon the concept of the university was completely changing.

Poplavsky is not the only child in the family; he has two brothers Stanislav and Vladimir, and together they open a chain of restaurants called “Father’s House”. The location of the restaurant is on the road between Odessa and Kiev.

Having had his fill of various cultural and creative life, Poplavsky decided to go into politics. And he immediately makes an attempt and nominates his candidacy for the Verkhovna Rada in the Kirovograd district. The first attempt turned out to be relatively successful because Poplavsky was able to take second place, and received the support of more than 15% of the votes. In 2002, Poplavsky decided to thoroughly gain a foothold in the field of politics. The artist’s growth in politics is rapidly gaining momentum, and he is running for election to people’s deputies in one of the constituencies of the Kyiv region. This time, voters' confidence is much greater than the first time, and he gains more than 48% of the vote. Running for local metropolitan elections from the Pechersky district, the rector of the university gains victory and becomes a people's deputy of the 4th convocation. He served in this term as people's deputy from 2002 to 2006.

In parallel with his position as a deputy, he holds the position of president of the public organization “Union of Ukrainians of the World.” Since 2005, he has joined the ranks of the Lytvyn Bloc. A year after this, Poplavsky decides to run for the Verkhovna Rada of the 5th convocation from the Third Force party, but this time he failed to get into the Verkhovna Rada.


Mikhail Mikhailovich Poplavsky

Since 2010, he has been elected to the ranks of a deputy in the Kiev regional council from the city of Irpen.

Mikhail Mikhailovich made his next attempt to stand for election in 2012, and here he also received victory in constituency No. 194 in the Cherkasy region. Two years later, it was decided to elect Mikhail Poplavsky to the People's Deputies of Ukraine of the 7th convocation. During early parliamentary elections in the same year, Mikhail Mikhailovich won one of the electoral districts in the Kirovograd region.

Since 2014, Mikhail Mikhailovich is already known as the People’s Deputy of Ukraine of the 8th convocation, and is also a representative of the “Will of the People” deputy group. In the same year, the people's deputy votes for “dictatorial laws” and the entire package of anti-democratic laws, and they, in turn, greatly oppress the rights of citizens and freedom of speech. As a result of this, in response, he is limited by law, prohibiting him from heading any higher educational institutions.

Compromising evidence and rumors

A scandal erupted over the name of Mikhail Poplavsky, regarding the fact that he hid the mansion and he appropriated the plot, which was previously allocated for housing to students. While filling out his declaration, Mikhail Mikhailovich indicated one inconspicuous apartment on Poznyaki in the city of Kyiv, the area of ​​which is 75.8 square meters. As it was later found out, Mikhail Mikhailovich hid the presence of a huge country house in Bortnichi near Kiev, its area is more than 1000 square meters, there is a sauna and a private lake on the site. From the documents that were found during the investigation, it is known that the house is rented by the vice-rector of the Kyiv National University of Culture and Arts Natalya Gaysinyuk, and the house itself is registered to her 71-year-old father Anatoly Kapelyushny. But despite this, all residents of the area claim that the actual owner of this house is Mikhail Poplavsky, who quite often uploads photographs from this house to his pages on social networks.

Mikhail Mikhailovich Poplavsky(ukr. Mikhailo Mikhailovich Poplavsky; genus. November 28, p. Mechislavka, Ulyanovsk district, Kirovograd region) - Ukrainian singer and rector of the Kiev National University of Culture and Arts in 1993-2015, Doctor of Pedagogical Sciences (), Professor (), People's Artist of Ukraine (2008), People's Deputy of Ukraine, VII and VIII convocations.

Biography

1971 - 1973 - director of the rural House of Culture in Velikie Troyan; brought him to first place in the region.

In June 2000, a joint project of the First National TV Channel UT-1 and the All-Ukrainian Foundation “Gifted Children of Ukraine”, a television children's competition “Step to the Stars”, was launched, the author of the idea, director, and general producer of which is Mikhail Poplavsky.

2002 - Mikhail Poplavsky ran for people's deputies in the 101st electoral district (Kirovograd region), and for the Kiev City Council in the Pechersky district (52 election districts) and received a double victory. He was a people's deputy of Ukraine of the IV convocation from May 14, 2002 to May 25, 2006.

He again ran for people's deputies in 2012 and won repeat elections in the 194th electoral district (Cherkasy region). From January 15 to November 27, 2014, he was a people's deputy of Ukraine of the VII convocation.

In the early parliamentary elections of 2014, he won the 101st electoral district (Kirovograd region). Since November 27, 2014 he has been a people's deputy of Ukraine of the VIII convocation. Member of the parliamentary group "Will of the People", member of the Verkhovna Rada Committee on Science and Education.

Creative activity

Poplavsky is known as a music producer and singer. As a music producer, Poplavsky is the author of the program “Step to the Stars” (“Krok do Zirok”), president of the Gifted Children of Ukraine Foundation, general producer of the All-Ukrainian children's television competition “Step to the Stars”, general producer of the television project “Our Song” (since 2003) , President of the International Public Organization “Union of Ukrainians of the World” (since 2004).

Poplavsky's singing skills have an ambiguous assessment among musicians and amateurs. On the one hand, Poplavsky is the character of numerous jokes and anecdotes. There is also evidence that Poplavsky organizes KNUKiI students specifically for some of his programs. On the other hand, Poplavsky’s work is quite popular; Poplavsky’s concerts are well equipped technically and feature rich choreography.

The artist himself does not consider himself a professional singer: “I’m not a singer, but a rector who sometimes sings.” .

In 2006, Poplavsky began a series of “farewell concerts” in different cities of Ukraine and announced his intention to end his singing career.

In August 2008, M. Poplavsky was awarded the title of People's Artist of Ukraine, the artist himself commented on the assignment: “I am a man of the people, so this is natural.”

Data

Political activity

  • - ran in elections to the Verkhovna Rada of Ukraine, electoral district No. 100 (Kirovograd region), but took 2nd place with 15.5% (of votes).
  • - - People's Deputy of Ukraine of the IV convocation (electoral district No. 101, Kirovograd region, 48.44% of votes
  • * On June 12, 2002, he was elected to the position of Deputy Chairman of the Verkhovna Rada of Ukraine Committee on Culture and Spirituality. For years he was a member of the parliamentary factions “United Ukraine” and “Labor Ukraine”.
  • - becomes president of the international public organization “Union of Ukrainians of the World”.
  • In December, the city of KNUKiI, on the initiative of Poplavsky, joined the actions of civil disobedience.
  • In January, M. Poplavsky joined the ranks of the People's Agrarian Party (Litvina).
  • In the city he ran for the Verkhovna Rada of the 5th convocation on the lists of the Third Force party, but did not get into the Verkhovna Rada.

Works

  1. 1993 Culture Manager
  2. 1996 Culture Manager (reissue)
  3. 1997 Rector
  4. 1997 ABC Public Relations
  5. 1999 Show business manager
  6. 2000 Human Resource Management
  7. 2000 Formula for success
  8. 2001 Show business: theory, history, practice
  9. 2003 Anthology of Ukrainian contemporary pop
  10. 2007 ABC of Public Relations
  11. 2007 20 principles of management
  12. 2007 How to become popular and rich
  13. 2007 Management Marketing
  14. 2007 Diary of a Genius
  15. 2008 To your table from Mikhail Poplavsky
  16. 2009 Rector (reissue)
  17. 2009 Leadership as a brand
  18. 2009 Image
  19. 2009 Taste
  20. 2009 Photo album
  21. 2009 Anthology of modern Ukrainian pop music (reissue)
  22. 2010 Hotel and restaurant service
  23. 2012 Hello native village
  24. 2012 Ukrainian cuisine from Mikhail Poplavsky

Clips

  1. “Blues of Erotic Thoughts” (Blues of Erotic Thoughts)
  2. “Vera plus Misha” (duet with Verka Serduchka)
  3. “My Dear Parents” (director Maxim Papernik, cameraman Alexey Stepanov)
  4. “Hello, native village” (director Maxim Papernik, cameraman Alexey Stepanov)
  5. “Nettle” (director Viktor Panfilov, cameraman Oleg Sagan)
  6. “Nettle-2”, remix by DJ Batt (director Maxim Papernik, cameraman Alexey Stepanov)
  7. “Mother’s Cherry” (director Maxim Papernik, cameraman Alexey Stepanov)
  8. “Call me” (Maxim Papernik, cameraman Alexey Stepanov)
  9. “Farewell” (director Maxim Papernik, cameraman Alexey Stepanov)
  10. “The snow is spinning” (director Maxim Papernik, cameraman Alexey Stepanov)
  11. "Ukraine"
  12. “Hava nagila” (director Vladimir Yakimenko, cameraman Alexey Stepanov)
  13. "Young Eagle"
  14. “Junior Eagle-2” (director Viktor Priduvalov, cameraman V. Shklyarevsky)
  15. “You are my sunshine” (director Maxim Papernik, cameraman A. Stepanov)
  16. “My Ukraine” (director Alan Badoev)
  17. “Love” (director Vladimir Yakimenko, cameraman Alexey Stepanov)
  18. “Scows full of mullet” (director Natalya Shevchuk)
  19. “You are my love” (director Vladimir Yakimenko, cameraman Alexey Stepanov)
  20. “In Memory of a Friend” (director Semyon Gorov, cameraman V. Shklyarevsky)
  21. “My Son” animation on sand by K. Simonova
  22. “Bathhouse” (director S. Gorov, cameraman A. Stepanov)
  23. “My Varenichki” (director M. Papernik, cameraman V. Savitsky)
  24. “Batko” (director Semyon Gorov, cameraman V. Shklyarevsky)
  25. “Field, field” (director Semyon Gorov, cameraman V. Shklyarevsky)
  26. “Salo” (director M. Papernik, cameraman V. Savitsky)

Awards

At the festival “Hit of the 20th Century” on December 10, 2001, Poplavsky was awarded a diploma for the song “Cherry trees are growing in my mother’s garden” (music by A. Gorchinsky lyrics by M. Lukov).

M. Poplavsky received the status of full holder of the Order of Merit (2000 r. 2001 r. 2007 r.)

  • August 23, 2008 - by decree of the President of Ukraine, M. Poplavsky was awarded the honorary title - People's Artist of Ukraine, as the general producer, chief director, author of the idea of ​​​​creating the All-Ukrainian children's television competition "Step to the Stars" ("Krok do Zirok").
  • On March 21, 2009, M. Poplavsky won the title “Person of the Year” in the nomination “Creator of the Year”, “Artist of the Year” (Mitec)

Write a review of the article "Poplavsky, Mikhail Mikhailovich"

Notes

Links

An excerpt characterizing Poplavsky, Mikhail Mikhailovich

- Rostov, come here, let's drink out of grief! - Denisov shouted, sitting down on the edge of the road in front of a flask and a snack.
The officers gathered in a circle, eating and talking, near Denisov's cellar.
- Here's another one being brought! - said one of the officers, pointing to the French captured dragoon, which was being led on foot by two Cossacks.
One of them was leading a tall and beautiful French horse taken from a prisoner.
- Sell the horse! - Denisov shouted to the Cossack.
- If you please, your honor...
The officers stood up and surrounded the Cossacks and the captured Frenchman. The French dragoon was a young fellow, an Alsatian, who spoke French with a German accent. He was choking with excitement, his face was red, and, hearing the French language, he quickly spoke to the officers, addressing first one and then the other. He said that they would not have taken him; that it was not his fault that he was taken, but that le caporal was to blame, who sent him to seize the blankets, that he told him that the Russians were already there. And to every word he added: mais qu"on ne fasse pas de mal a mon petit cheval [But do not offend my horse] and caressed his horse. It was clear that he did not understand well where he was. He then apologized, that he was taken, then, presuming his superiors before him, he showed his soldierly efficiency and care for the service... He brought with him to our rearguard in all its freshness the atmosphere of the French army, which was so alien to us.
The Cossacks gave the horse for two chervonets, and Rostov, now the richest of the officers, having received the money, bought it.
“Mais qu"on ne fasse pas de mal a mon petit cheval,” the Alsatian said good-naturedly to Rostov when the horse was handed over to the hussar.
Rostov, smiling, reassured the dragoon and gave him money.
- Hello! Hello! - said the Cossack, touching the prisoner’s hand so that he would move on.
- Sovereign! Sovereign! - suddenly it was heard between the hussars.
Everything ran and hurried, and Rostov saw several horsemen with white plumes on their hats approaching from behind along the road. In one minute everyone was in place and waiting. Rostov did not remember and did not feel how he reached his place and got on his horse. Instantly his regret about not participating in the matter passed, his everyday mood in the circle of people looking closely at him, instantly any thought about himself disappeared: he was completely absorbed in the feeling of happiness that comes from the proximity of the sovereign. He felt rewarded by this proximity alone for the loss of that day. He was happy, like a lover who had waited for the expected date. Not daring to look at the front and not looking back, he felt with an enthusiastic instinct its approach. And he felt this not just from the sound of the hooves of the horses of the approaching cavalcade, but he felt it because, as he approached, everything around him became brighter, more joyful and more significant and festive. This sun moved closer and closer for Rostov, spreading rays of gentle and majestic light around itself, and now he already feels captured by these rays, he hears its voice - this gentle, calm, majestic and at the same time so simple voice. As it should have been according to Rostov’s feelings, dead silence fell, and in this silence the sounds of the sovereign’s voice were heard.
– Les huzards de Pavlograd? [Pavlograd hussars?] - he said questioningly.
- La reserve, sire! [Reserve, Your Majesty!] - answered someone else’s voice, so human after that inhuman voice that said: Les huzards de Pavlograd?
The Emperor drew level with Rostov and stopped. Alexander's face was even more beautiful than at the show three days ago. It shone with such gaiety and youth, such innocent youth that it was reminiscent of a childish fourteen-year-old playfulness, and at the same time it was still the face of a majestic emperor. Casually looking around the squadron, the sovereign’s eyes met Rostov’s eyes and stayed on them for no more than two seconds. Did the sovereign understand what was going on in Rostov’s soul (it seemed to Rostov that he understood everything), but he looked for two seconds with his blue eyes into Rostov’s face. (The light poured out of them softly and meekly.) Then suddenly he raised his eyebrows, with a sharp movement he kicked the horse with his left leg and galloped forward.
The young emperor could not resist the desire to be present at the battle and, despite all the representations of the courtiers, at 12 o'clock, separating from the 3rd column, with which he was following, he galloped to the vanguard. Before even reaching the hussars, several adjutants met him with news of the happy outcome of the matter.
The battle, which consisted only of the capture of a French squadron, was presented as a brilliant victory over the French, and therefore the sovereign and the entire army, especially after the gunpowder smoke had not yet dispersed on the battlefield, believed that the French were defeated and were retreating against their will. A few minutes after the sovereign passed, the Pavlograd division was demanded to go ahead. In Wieschau itself, a small German town, Rostov saw the sovereign again. In the city square, where there had been quite a heavy firefight before the sovereign’s arrival, there were several dead and wounded people who had not been picked up in time. The Tsar, surrounded by a retinue of military and non-military personnel, was on a red, anglicized mare, already different from that at the review, and, leaning on his side, with a graceful gesture holding a golden lorgnette to his eye, he looked into it at the soldier lying on his face, without a shako, with a bloody head. The wounded soldier was so unclean, rude and disgusting that Rostov was offended by his closeness to the sovereign. Rostov saw how the sovereign’s stooped shoulders shuddered, as if from a passing frost, how his left leg convulsively began to beat the horse’s side with a spur, and how the accustomed horse looked around indifferently and did not move from its place. The adjutant, who dismounted from his horse, took the soldier by the arms and began to lay him on the stretcher that appeared. The soldier groaned.
- Quiet, quiet, can’t it be quieter? - Apparently suffering more than a dying soldier, the sovereign said and drove away.
Rostov saw the tears filling the sovereign’s eyes, and heard him, as he drove away, say in French to Czartoryski:
– What a terrible thing war, what a terrible thing! Quelle terrible chose que la guerre!
The vanguard troops positioned themselves in front of Wischau, in sight of the enemy line, which gave way to us at the slightest skirmish throughout the entire day. The sovereign's gratitude was expressed to the vanguard, rewards were promised, and a double portion of vodka was distributed to the people. Even more cheerfully than the previous night, the campfires crackled and soldiers' songs were heard.
That night Denisov celebrated his promotion to major, and Rostov, already quite drunk at the end of the feast, proposed a toast to the health of the sovereign, but “not the sovereign emperor, as they say at official dinners,” he said, “but to the health of the good sovereign, a charming and great man; We drink to his health and to a certain victory over the French!”
“If we fought before,” he said, “and did not give way to the French, as at Shengraben, what will happen now that he is ahead?” We will all die, we will die with pleasure for him. So, gentlemen? Maybe I'm not saying that, I drank a lot; Yes, I feel that way, and so do you. For the health of Alexander the First! Hurray!
- Hurray! – the inspired voices of the officers sounded.
And old captain Kirsten shouted with enthusiasm and no less sincerely than twenty-year-old Rostov.
When the officers drank and broke their glasses, Kirsten poured others and, in only a shirt and leggings, with a glass in his hand, approached the soldiers' fires and in a majestic pose, waving his hand upward, with his long gray mustache and white chest visible from behind his open shirt, stopped in the light of the fire.
- Guys, for the health of the Emperor, for victory over the enemies, hurrah! - he shouted in his brave, senile, hussar baritone.
The hussars crowded together and responded with a loud cry.
Late at night, when everyone had left, Denisov patted his favorite Rostov on the shoulder with his short hand.
“There’s no one to fall in love with on a hike, so he fell in love with me,” he said.
“Denisov, don’t joke about this,” Rostov shouted, “this is such a high, such a wonderful feeling, such...
- “We”, “we”, “d”, and “I share and approve” ...
- No, you don’t understand!
And Rostov got up and went to wander between the fires, dreaming about what happiness it would be to die without saving a life (he did not dare to dream about this), but simply to die in the eyes of the sovereign. He really was in love with the Tsar, and with the glory of Russian weapons, and with the hope of future triumph. And he was not the only one who experienced this feeling in those memorable days preceding the Battle of Austerlitz: nine-tenths of the people of the Russian army at that time were in love, although less enthusiastically, with their Tsar and with the glory of Russian weapons.

The next day the sovereign stopped in Wischau. Life physician Villiers was called to him several times. News spread in the main apartment and among the nearby troops that the sovereign was unwell. He did not eat anything and slept poorly that night, as those close to him said. The reason for this ill health was the strong impression made on the sensitive soul of the sovereign by the sight of the wounded and killed.
At dawn on the 17th, a French officer was escorted from the outposts to Wischau, who had arrived under a parliamentary flag, demanding a meeting with the Russian emperor. This officer was Savary. The Emperor had just fallen asleep, and therefore Savary had to wait. At noon he was admitted to the sovereign and an hour later he went with Prince Dolgorukov to the outposts of the French army.
As was heard, the purpose of sending Savary was to offer a meeting between Emperor Alexander and Napoleon. A personal meeting, to the joy and pride of the entire army, was denied, and instead of the sovereign, Prince Dolgorukov, the winner at Wischau, was sent along with Savary to negotiate with Napoleon, if these negotiations, contrary to expectations, were aimed at a real desire for peace.
In the evening Dolgorukov returned, went straight to the sovereign and spent a long time alone with him.
On November 18 and 19, the troops made two more marches forward, and the enemy outposts retreated after short skirmishes. In the highest spheres of the army, from midday on the 19th, a strong, fussily excited movement began, which continued until the morning of the next day, November 20, on which the so memorable Battle of Austerlitz was fought.
Until noon on the 19th, movement, lively conversations, running around, sending adjutants were limited to one main apartment of the emperors; in the afternoon of the same day, the movement was transmitted to Kutuzov’s main apartment and to the headquarters of the column commanders. In the evening, this movement spread through the adjutants to all ends and parts of the army, and on the night of the 19th to the 20th, the 80 thousandth mass of the allied army rose from their sleeping quarters, hummed with conversation and swayed and began to move in a huge nine-verst canvas.
The concentrated movement that began in the morning in the main apartment of the emperors and gave impetus to all further movement was similar to the first movement of the middle wheel of a large tower clock. One wheel moved slowly, another turned, a third, and the wheels, blocks, and gears began to spin faster and faster, chimes began to play, figures jumped out, and the arrows began to move regularly, showing the result of the movement.
As in the mechanism of a watch, so in the mechanism of military affairs, the once given movement is just as irresistible until the last result, and just as indifferently motionless, the moment before the transfer of movement, are the parts of the mechanism that have not yet been reached. The wheels whistle on the axles, clinging with teeth, the rotating blocks hiss from the speed, and the neighboring wheel is just as calm and motionless, as if it is ready to stand for hundreds of years with this motionlessness; but the moment came - he hooked the lever, and, submitting to the movement, the wheel crackled, turning and merged into one action, the result and purpose of which was incomprehensible to him.
Just as in a clock the result of the complex movement of countless different wheels and blocks is only the slow and steady movement of the hand indicating the time, so the result of all the complex human movements of these 1000 Russians and French - all the passions, desires, remorse, humiliation, suffering, impulses of pride, fear , the delight of these people - there was only the loss of the Battle of Austerlitz, the so-called battle of the three emperors, that is, the slow movement of the world historical hand on the dial of human history.
Prince Andrei was on duty that day and constantly with the commander-in-chief.
At 6 o'clock in the evening, Kutuzov arrived at the main apartment of the emperors and, after staying with the sovereign for a short time, went to see Chief Marshal Count Tolstoy.
Bolkonsky took advantage of this time to go to Dolgorukov to find out about the details of the case. Prince Andrei felt that Kutuzov was upset and dissatisfied with something, and that they were dissatisfied with him in the main apartment, and that all the persons in the imperial main apartment had the tone of people with him who knew something that others did not know; and that’s why he wanted to talk to Dolgorukov.
“Well, hello, mon cher,” said Dolgorukov, who was sitting with Bilibin over tea. - Holiday for tomorrow. What's your old man? out of sorts?
“I won’t say that he was out of sorts, but he seemed to want to be listened to.”
- Yes, they listened to him at the military council and will listen to him when he speaks his mind; but it is impossible to hesitate and wait for something now, when Bonaparte fears more than anything else a general battle.
-Have you seen him? - said Prince Andrei. - Well, what about Bonaparte? What impression did he make on you?
“Yes, I saw it and was convinced that he was afraid of a general battle more than anything else in the world,” Dolgorukov repeated, apparently valuing this general conclusion he had drawn from his meeting with Napoleon. – If he were not afraid of battle, why would he demand this meeting, negotiate and, most importantly, retreat, while retreat is so contrary to his entire method of waging war? Believe me: he is afraid, afraid of a general battle, his time has come. This is what I'm telling you.
- But tell me how he is, what? – Prince Andrey asked again.
“He is a man in a gray frock coat, who really wanted me to say “Your Majesty” to him, but, to his chagrin, he did not receive any title from me. This is the kind of person he is, and nothing more,” answered Dolgorukov, looking back at Bilibin with a smile.
“Despite my complete respect for old Kutuzov,” he continued, “we would all be good if we waited for something and thereby gave him a chance to leave or deceive us, whereas now he is surely in our hands.” No, we must not forget Suvorov and his rules: do not put yourself in the position of being attacked, but attack yourself. Believe me, in war, the energy of young people often shows the path more accurately than all the experience of the old cunctators.
– But in what position do we attack him? “I was at the outposts today, and it is impossible to decide where exactly he is standing with the main forces,” said Prince Andrei.
He wanted to express to Dolgorukov his plan of attack that he had drawn up.
“Oh, it doesn’t matter at all,” Dolgorukov quickly spoke, standing up and revealing the card on the table. - All cases are foreseen: if he stands near Brunn...
And Prince Dolgorukov quickly and vaguely explained the plan for Weyrother’s flank movement.
Prince Andrei began to object and prove his plan, which could be equally good with Weyrother’s plan, but had the drawback that Weyrother’s plan had already been approved. As soon as Prince Andrei began to prove the disadvantages of him and the benefits of his own, Prince Dolgorukov stopped listening to him and absentmindedly looked not at the map, but at the face of Prince Andrei.
“However, Kutuzov will have a military council today: you can express all this there,” said Dolgorukov.
“That’s what I’ll do,” said Prince Andrei, moving away from the map.
- And what are you worried about, gentlemen? - said Bilibin, who had been listening to their conversation with a cheerful smile and now, apparently, was about to make a joke. – Whether there is victory or defeat tomorrow, the glory of Russian weapons is insured. Apart from your Kutuzov, there is not a single Russian commander of the columns. Chiefs: Herr general Wimpfen, le comte de Langeron, le prince de Lichtenstein, le prince de Hohenloe et enfin Prsch... prsch... et ainsi de suite, comme tous les noms polonais. [Wimpfen, Count Langeron, Prince of Liechtenstein, Hohenlohe and also Prishprshiprsh, like all Polish names.]
“Taisez vous, mauvaise langue,” said Dolgorukov. – It’s not true, now there are already two Russians: Miloradovich and Dokhturov, and there would be a 3rd, Count Arakcheev, but his nerves are weak.
“However, Mikhail Ilarionovich, I think, came out,” said Prince Andrei. “I wish you happiness and success, gentlemen,” he added and left, shaking hands with Dolgorukov and Bibilin.
Returning home, Prince Andrei could not resist asking Kutuzov, who was silently sitting next to him, what he thought about tomorrow’s battle?
Kutuzov looked sternly at his adjutant and, after a pause, answered:
“I think that the battle will be lost, and I told Count Tolstoy so and asked him to convey this to the sovereign.” What do you think he answered me? Eh, mon cher general, je me mele de riz et des et cotelettes, melez vous des affaires de la guerre. [And, dear general! I’m busy with rice and cutlets, and you are busy with military affairs.] Yes... That’s what they answered me!

At 10 o'clock in the evening, Weyrother with his plans moved to Kutuzov's apartment, where a military council was appointed. All the commanders of the columns were requested to see the commander-in-chief, and, with the exception of Prince Bagration, who refused to come, everyone appeared at the appointed hour.
Weyrother, who was the overall manager of the proposed battle, presented with his liveliness and haste a sharp contrast with the dissatisfied and sleepy Kutuzov, who reluctantly played the role of chairman and leader of the military council. Weyrother obviously felt himself at the head of a movement that had become unstoppable. He was like a harnessed horse running away downhill with its cart. Whether he was driving or being driven, he did not know; but he rushed as fast as possible, no longer having time to discuss what this movement would lead to. Weyrother that evening was twice for personal inspection in the enemy’s chain and twice with the sovereigns, Russian and Austrian, for a report and explanations, and in his office, where he dictated the German disposition. He, exhausted, now came to Kutuzov.
He, apparently, was so busy that he forgot to even be respectful to the commander-in-chief: he interrupted him, spoke quickly, unclearly, without looking into the face of his interlocutor, without answering the questions asked of him, was stained with dirt and looked pitiful, exhausted, confused and at the same time arrogant and proud.

Related publications